When tracing the evolution of African hip-hop, particularly within the Nigerian context, Falz is a name that rings loud and clear. With over 14 years in the game since his debut mixtape Shakara, FalzTheBahdGuy has earned his place as one of the continent’s most dynamic and socially conscious rappers. His latest album, The Feast is yet another testament to his artistic growth and commitment to blending entertainment with enlightenment.
The album kicks off with the lead single, “Round of Applause”, a track that sets the tone. where Falz reflects on his personal journey, weaving tales of romance with biting social commentary. One line stands out, “Still I dey wonder, if police go let me rest” a stark reminder of ongoing issues like police profiling. Yet, he masterfully toggles between political and personal, never losing rhythm.
“Old Soja” featuring Majeed slows things down with a mid-tempo groove rooted in highlife rhythms, embellished by electric guitar riffs that lend the track an edgy character. Majeed’s soulful delivery lays the foundation for Falz to step in and deliver a classic lyrical performance, part street poet, part storyteller.
The tempo spikes on “Anything Goes” featuring Odumodublvck, where the two rappers dissect the consequences of poor leadership over a 90s-inspired boom-bap beat courtesy of Chillz. Odumodublvck’s braggadocious style energizes the track, making it one of the more intense moments on the project.
One of the standout creative risks comes in “No Less,” where Falz samples Sikiru Ayinde Barrister’s Fuji Garbage, fusing fast-paced Yoruba percussion with piano chords and witty bars. It’s a moment that underscores Falz’s versatility, seamlessly marrying indigenous soundscapes with contemporary rap elements.
The album then shifts into a more sensual mood with “Famomi” featuring Dotti the Deity. The track rides on smooth strings and subtle drum kicks, with both artists exchanging heartfelt verses. Falz’s second verse, in particular, is a masterclass in romantic storytelling.
“Slow Down” featuring Qing Madi tries to explore the softer side of Falz through a fusion of R&B, Afrobeat, and jazz. While the lush harmonies and charismatic delivery offer promise, the track feels slightly undercooked and leaves room for deeper collaboration.
“Jump” is Falz in his pure form, an upbeat, witty hip-hop number reminiscent of his viral hit Bop Daddy. Its catchy hook and ethereal background vocals ensure it sticks, proving that he hasn’t lost touch with his humorous, chart-friendly core.
The album takes a beautiful spiritual turn on “Wonderfully Made” featuring Oiza & Meyi. The twin sisters deliver an ethereal chorus that elevates Falz’s verses celebrating the beauty and wonder of the female form. It’s a refreshing, affirming listen that expands the album’s emotional range.
With “Dance With You,” Falz taps into the vibrant pulse of Amapiano, layering log drums and trumpet flourishes into a lush Afrobeats groove. It’s a party-ready track that still retains his lyrical sharpness.
A definite highlight is “Wayo” featuring D-Smoke, where Falz samples Fela Kuti’s Chop and Quench. The result is a politically charged banger where both rappers take aim at corruption and societal decay with vigor and confidence. D-Smoke complements Falz’s energy with a passionate verse, making this one of the album’s most potent collaborations.
Then comes “Eat”, a cheeky interlude that ties the album’s theme together. Falz uses culinary metaphors to urge listeners to “chop sense,” cleverly using food as a metaphor for knowledge.
The album closes on a profound note with “Story Time”, arguably the strongest and most personal track. In this five-minute lyrical memoir, Falz narrates his journey from aspiring footballer to reluctant law student, eventually discovering his true calling in music. It’s honest, heartfelt, and a fitting curtain call for an artist who’s never been afraid to bare it all.
The Feast is a rich, flavorful body of work that pushes the boundaries of African rap by incorporating highlife, Fuji, jazz, and Amapiano, creating a true sonic melting pot. The featured artists contribute thoughtfully, never overshadowing but always enhancing Falz’s vision. While the track sequencing could have been tighter, leading to occasional dips in narrative cohesion. It doesn’t detract significantly from the listening experience. What Falz delivers is more than an album, it’s a cultural plate of sounds, stories, and soul.
A buffet of genres, emotions, and commentary, The Feast is aptly named. And with it, Falz proves once again that he doesn’t just rap, he feeds minds.
Lyricism: 1.7
Production/Sound Engineering: 1.6
Tracklisting/Sequencing: 1.5
Vocals, Delivery & Execution: 1.8
Listening Experience: 1.
Overall Rating: 8.2/10
About the Author
Abdulmuqsit Idowu is a music critic and writer with a focus on the African entertainment industry. With a passion for music and culture, he offers insightful and honest commentary on the ever-evolving landscape of African entertainment. Follow him on X and Instagram: @justabdulmuqsit.
